let´s_make_it_compact®02
Installation, 2005. Series of photographs mounted on aluminium. Dimension 60 x 80 cm and 40 x 30 cm.
Installation view: Gallery Francoise Heitsch, Munich.
The sceneries in the videos of Vassiliea Stylanidou are oddly
surreal. Sober urban situations or monumental arenas in nature are
irritating: their atmosphere is curiously calm.
The rhythm of the
protagonists is slow – be they human bodies that in their ever-recurring
movements are released from the linear course path of causal contexts;
or pulsating geometric bodies and amorphous entities whose artificial
surfaces betray their digital provenance. Vassiliea Stylanidou links
these two worlds. The apparently “normal” reality that we navigate on a
daily basis comes together with her own fiction, expressed in animated
bodies whose presence and being can be fathomed somewhere between the
threatening and the magical. It is a sensational journey that eludes
precise definition: the situation remains open for individual
interpretations. What is real? What becomes part of the scenery?
In a
keen choreography of rhythm, silence and light, the artist stages her
playfully ironic view of the world, which begins as curious observation
of her surroundings, and which she then extends to the borders of the
imaginary.
In her videos, sequences often continue for minutes
without apparent movement. The boundary between the media film and
photography is probed; the montage of frames becomes a film sequence.
The meditative movement occurs through digital animation of the objects,
whose ambivalent essence can be a surface of self-reflexive projection
on the one hand, and a sensual repository for nature on the other.
Vassiliea Stylanidou questions reality at this critical juncture. She
highlights particular constellations in her photos and film stills that
play with the sceneries, where evasion and ambiguity are inherent to the
game. The encounter among persons, strange forms, and surfaces are
captured associatively in aphorisms, which in turn develop a life of
their own, both visually and conceptually.
©2005 Carolin Haecker
(translated by Alisa Anh Kotmair)





